Kling 3 Prompt Guide — The Storyteller

GLOBAL: Keep @designer identical throughout — same face, hair, age and outfit. Photoreal cinematic quality, soft natural daylight, no text or logos.

SHOT 1 — 4s: Start inside the uploaded luxury living room. Slow elegant dolly backward through the space, dust motes drifting in window light. Everything feels full-scale and real. Audio: quiet room tone, distant birds.

SHOT 2 — 4s: The dolly-back continues and the room's edge is revealed as an open cross-section — this is an exquisitely detailed miniature model. The camera keeps pulling back until two careful hands are seen holding the glowing model in a dim studio.

SHOT 3 — 4s: Medium shot: @designer holds the miniature at eye level, desk lamps and pinned sketches behind. They rotate it slowly; tiny warm lights flicker on inside the model, reflecting in their eyes. Audio: a single soft piano note as the lights ignite.

SHOT 4 — 3s: @designer places the model on the desk beside open floor plans, looks to camera with a calm confident smile. Hold the final frame for one second.

NEGATIVE: no text, no logo, no warped architecture, no bent lines, no extra fingers, no identity drift, no fisheye.

SHOT 1 — 3s: Top-down macro on a real hand-drawn interior sketch on paper, pencil resting beside it. The camera begins a slow dive toward the drawn doorway in the sketch. Audio: soft pencil scratch, paper rustle.

SHOT 2 — 4s: As the camera crosses the paper surface, the pencil lines rise off the page into three-dimensional wireframe walls around the lens — a world of floating graphite lines and paper texture, drifting eraser dust like snow. The camera glides forward through the line-drawn corridor.

SHOT 3 — 4s: The wireframe surfaces begin filling in — plaster flows over the lines, oak floods the floor plane, glass crystallizes in the window frames, fabric and light bloom into place, progressively from the camera outward.

SHOT 4 — 4s: The camera emerges through the final doorway into the fully built, photoreal finished interior matching the end reference. Slow settle into a wide hero frame, warm daylight. Hold for one second. Audio: rising airy score resolving into calm room tone.

NEGATIVE: no text, no logo, no warped perspective, no bent lines, no cartoon look in the final shot, no people.

One single continuous slow orbit (360 degrees) around the center of the same room. The camera never stops, never cuts visibly — the room transforms through construction phases as the orbit progresses. Photoreal.

PHASE 1 (0–90°, 4s): Demolition — exposed brick, hanging wires, rubble, dust in hard work-lamp light. A sledgehammer leans against the wall. Audio: echoing site ambience, distant drilling.

PHASE 2 (90–180°, 4s): As the camera passes a concrete pillar, the room is now structural work — new stud walls, fresh screed floor, ducts and pipes, morning light through unglazed openings. Audio: rhythmic hammering fading in and out.

PHASE 3 (180–270°, 4s): Passing a doorway wipe, the room is in finishing — painted walls, oak flooring half-laid in a visible diagonal line, electricians' ladders, protective film on new windows. Audio: sanding, quiet radio.

PHASE 4 (270–360°, 3s): The final quarter reveals the completed styled interior in warm evening light — furniture, lighting, art in place, matching the final reference. The orbit settles into a locked hero frame. Audio: all site noise resolves into calm music and silence.

NEGATIVE: no visible cuts, no warped architecture, no bent lines, no people morphing, no text, no logo.

A pristine empty white room shell, soft diffused daylight from tall windows. Locked-off camera, identical framing throughout — the room transforms, the camera does not move.

SHOT 1 — 3s: Silence, then wide oak floor planks begin raining down in slow motion, each plank rotating mid-air and clicking perfectly into place across the floor, a gentle wave from back to front. Audio: soft rhythmic wooden clicks.

SHOT 2 — 4s: Furniture descends — a sculptural sofa, armchairs, a stone coffee table — each piece landing with soft realistic weight, cushions compressing slightly on impact then settling. Brass light fixtures lower from above and switch on one by one.

SHOT 3 — 4s: Curtains unfurl down the windows like slow waterfalls, a rug rolls itself open, books and ceramics drift onto shelves. Warm evening light gradually replaces the cold white.

SHOT 4 — 3s: The finished room matches the final reference exactly. Everything settles, one cushion softly exhales. Hold the completed frame. Audio: one warm resolving chord.

NEGATIVE: no people, no text, no logo, no floating leftovers, no warped furniture, no bent architectural lines, no camera movement.

GLOBAL: Keep @designer identical throughout — same face, hair, outfit. A bright empty high-end apartment, symmetrical wide framing, photoreal, elegant and slightly surreal.

SHOT 1 — 3s: Wide symmetrical shot. @designer stands centered in the empty room, back to camera, and slowly raises both hands like an orchestra conductor. The room holds its breath. Audio: a single string note tuning.

SHOT 2 — 4s: On the first gesture, a sofa slides gracefully in from the left and rotates into place; two armchairs glide from the right in mirrored arcs. Each movement lands exactly on a musical beat. The furniture moves like dancers — smooth, weighted, precise.

SHOT 3 — 4s: Faster now: a dining table pirouettes into position, chairs tuck themselves in one by one, a rug unrolls under everything mid-motion, pendant lights descend and ignite on the downbeat. @designer's gestures grow bolder, conducting the crescendo.

SHOT 4 — 4s: Final chord: everything freezes perfectly placed. @designer lowers their hands, turns to camera with a small knowing smile. Slow push-in to a confident close-up. Hold.

NEGATIVE: no identity drift, no warped furniture, no collisions, no extra people, no text, no logo, no bent lines.

GLOBAL: Keep @designer identical in both scales — same face, hair, outfit. Photoreal, tilt-shift miniature aesthetic in shots 1–3.

SHOT 1 — 3s: Macro shot across a printed floor plan on a desk. A tiny, hand-sized @designer walks confidently along a corridor line on the paper, hands in pockets, inspecting the plan like a giant blueprint city. Audio: tiny footsteps on paper.

SHOT 2 — 4s: As they pass each room, thin white miniature walls rise up from the printed lines around them — desk-scale architecture assembling in their wake. They tap a drawn doorway; a tiny door swings open.

SHOT 3 — 4s: The miniature rooms fill with matchbox-scale furniture sprouting from the plan's symbols. Tiny warm lights switch on. @designer stands in the miniature living room, looks straight up at the sky — directly into the camera.

SHOT 4 — 4s: Smooth pull-back and scale reveal: the camera rises to show the full-size real @designer leaning over the desk, looking down at the plan with a smile, studio lamp glowing. Hold the final frame.

NEGATIVE: no identity drift between scales, no warped plan lines, no text or logo, no extra fingers, no fisheye.

GLOBAL: Keep @designer identical throughout — same face, hair, outfit. @designer stays sharply in focus at frame center; the transformation happens behind and around them. Photoreal, steady slow push-in for the whole film.

SHOT 1 — 4s: @designer stands in a raw concrete shell facing camera, confident and warm. [Speaker: Designer] "This is what we started with." Behind them: bare concrete, hanging cables, cold daylight. Audio: hollow echo.

SHOT 2 — 4s: [Speaker: Designer] "First — warmth." As they speak, oak flooring flows across the ground behind them like a tide, and warm plaster rolls up the walls. The echo softens as materials arrive.

SHOT 3 — 4s: [Speaker: Designer] "Then — light, and life." Pendant lights descend and ignite, furniture assembles in fast elegant motion, curtains unfurl, greenery blooms on shelves — all behind them while they never look back.

SHOT 4 — 3s: The push-in lands on a medium close-up. [Speaker: Designer] "Welcome home." They step aside with a small gesture, fully revealing the finished glowing interior. Hold.

NEGATIVE: no identity drift, no lip-sync errors, no warped background furniture, no bent lines, no text, no logo.

GLOBAL: Keep @designer identical throughout — same face, hair, outfit. One continuous flowing camera move across the whole film. Photoreal.

SHOT 1 — 4s: Handheld-smooth tracking shot follows @designer walking through the old apartment — peeling paint, dusty floor, harsh bare bulb light, taped boxes. They reach a closed white door and rest a hand on the handle. Audio: echoing footsteps on concrete, distant street noise.

SHOT 2 — 4s: The door opens and warm golden light spills through the crack onto @designer's face. The camera follows them through the doorway; exactly at the threshold, the world changes — sound becomes soft and warm, light becomes honeyed.

SHOT 3 — 4s: Continuous move: we are now inside the fully renovated apartment — warm oak, sculpted lighting, perfect styling. @designer walks slowly through it, brushing a fingertip along the new stone counter. Audio: soft warm score, gentle room tone.

SHOT 4 — 3s: @designer turns back toward the open door — through it, the old apartment is still visible in cold light. They smile and gently close the door. Hold the final frame.

NEGATIVE: no identity drift, no warped architecture, no bent door frame, no text, no logo, no extra people, no jarring cut at the threshold.

SHOT 1 — 3s: Top-down shot of a real designer moodboard: fabric swatches, a marble sample, oak veneer, a paint card, pinned inspiration photos. A gentle breeze lifts the corner of one linen swatch. Audio: quiet studio room tone, paper flutter.

SHOT 2 — 4s: The samples peel off the board and rise into the air in slow motion — swatches, stone chip, wood veneer, brass handle — orbiting gently around the camera as it tilts up from the desk into open space. Threads of fabric unravel and stretch into full curtains mid-air.

SHOT 3 — 5s: Each floating sample expands into its real element: the marble chip grows into a kitchen island, the oak veneer unfolds plank by plank into flooring, the paint card washes color across rising walls, the pinned photo of a chair becomes the actual chair landing softly in place.

SHOT 4 — 3s: Wide hero shot of the completed room built entirely from the moodboard materials, matching the final reference. Everything settles. Slow push-in, hold one second. Audio: soft fabric whooshes resolving into one warm chord.

NEGATIVE: no text, no logo, no warped furniture, no bent lines, no people, no cluttered chaos — every motion controlled and elegant.

GLOBAL: Keep @designer and @client identical throughout — same faces, hair, outfits. Warm handheld documentary feel, photoreal, golden afternoon light.

SHOT 1 — 4s: Handheld tracking shot: @designer gently guides @client by the shoulders through the entry hall, @client's eyes closed, both smiling. [Speaker: Designer] "Keep them closed... almost there." Audio: footsteps on oak, soft laughter.

SHOT 2 — 3s: They stop at the center of the finished living room. @designer steps back, checks the room one last time, takes a breath. [Speaker: Designer] "Okay. Open your eyes."

SHOT 3 — 4s: Close-up on @client's face as her eyes open — a beat of stunned silence, then her hands rise to her mouth, eyes shining. [Speaker: Client] "Oh my god... this is our home?" Camera slowly arcs around her reaction.

SHOT 4 — 4s: Wide reveal shot from behind them both: the completed luxury interior glowing in golden light, @client turning in place taking it in, @designer watching her with quiet pride. Audio: warm emotional score swelling softly, then settling. Hold.

NEGATIVE: no identity drift, no extra people, no text, no logo, no warped room, no exaggerated cartoonish acting.